Dynasty of Darkness
Dynasty of Darkness(Originally hailing from Germany, now relocated to the
states) is an Extreme Black Metal Band and I got the chance to sit down
with the creator of the band Morbid. Lets see what he has to say...
states) is an Extreme Black Metal Band and I got the chance to sit down
with the creator of the band Morbid. Lets see what he has to say...
1) Hello and thank you for taking the time to do this interview with me.
Morbid: Hi there! thank you, it's an honor.
2) So, I am for the first time hearing Dynasty of Darkness.
I have enjoyed what I have heard thus far.
Since you are still fairly "new" band, how has the response been so
far?
Morbid: The band was created in 2008 so we are really not that new, this is
our first album because we had some legal complications with the ex-singer, she
really fucked us up big time and put the album and band progress into a stall
for over 2 years.. so, therefore we had to go 'underground' and work secretly so
she would not come chase us up with legal shit.. you know.. she's a loser, the
nature of weakness - ANTIhuman.
Response has been great! so far I've never heard a bad critic on the music
and generally people are very excited and eager to get a hold of this album,
it's been awesome. It's a really cool an 'true' album, any detractive and
detrimental comment will just place that person in the category of stupid.
3) So this band began in 2008 in Germany...
What caught my attention first was the place your recorded and filmed video
from your first demo... An abandoned Military Complex..? Wow, very cool.
Tell me about this experience and how it added to the intensity behind this
demo and where the idea came from...
Morbid: It was a pretty cool experience! I was doing some studies in
Germany and the university (IU) was located in this small town called Bruchsal.
The school was really just 2 big military buildings re-built into
classrooms, they used to be the 'Bundesnachrichtendienst
Zentrale' or the Secret
Service for the Nazis and stuff. The 4th, 5th and 6th
floor were totally untouched and original from that era. The attic was the most
eerie and obscure place I've ever been aside from the Catacombs of Paris, there
were this big heavy Bulletproof doors with machine gun dents you had to open and
cross over, I assume the Allies ended up breaking into the place and shooting
inside, the attic had this barbwire cells on the top part which gave you the
idea that this was a prison for the Jews or prisoners of war back then... a very
fucking obscure place. Once you walked through them there was this long dark
dusty corridor with at least 10 rooms on each side, we had to walk all the way
through it in darkness holding a candle until we reached the last room on the
left which was the only one with electricity.. some students from the past
painted the only light in there red so it was a very grim looking place..
everything else was complete darkness and abandoned dusty rooms. The energy and
atmosphere of that place was just perfect for starting a black metal band! so we
did.. there were some paranormal activity in there as well.. we used to go there
every night at midnight and drink wine, rehearse and jam there until
sunrise.. we composed and recorded half of the album in there, tracks like The
Scribe of the Gods, Empire of Pain and Lux Fera were bred in the womb of that
darkened place, we also shot promotional photos, video and recorded some demos
in there, the vibe we manage to capture on all media was fucking grim and very
dark. I tried using computer software and many different guitar pedals
afterwards to try to replicate the eerie sound of my guitars that I got being on
that place but it was just impossible.. it took me years to try to match the
grimness of the sound from that place. We were used to be called Death of Desire
back then, I am sure if you dig deep enough you can find some of the old stuff
and demos, if not I will make public once again soon.
4) Something else that impressed me was just a year after the start of the
band Jan Axel Blomberg A.K.A Hellhammer became Dynasty of Darkness' official
Session drummer. He is an amazing drummer!
How did it feel to get such a known and incredible drummer to back you guys
up?
Morbid: it was pretty natural for the band to get such a good drummer. When
I started writing the material I always had him in mind to record for us, we
tried many many different drummers before him and they just didn't had what it
took to do this, it was frustrating at the start but I kept pushing until I
managed to get Hellhammer on board, then everything just fell into place almost
like magic. It was a great experience to get to work with him, he's a very
professional musician and a great friend... keep tuned because the best is yet
to come ;)
5) Jan debuted on your first full length album "Empire of Pain"
Was he everything you had hoped for and did he write the music for all the
drums he played for the songs or was it all pre written?
Morbid: it was exactly what I had in mind for this album. When I composed
'Empire of Pain' I wanted to make a cross-over between Wolf Liar Abyss and Grand
Declaration of War mixed up with some epic orchestrations.. something
very excruciating but majestic at the same time, it was a very
ambitious album! so we were honored to be able to work with him and his
involvement on the album just made this very possible for us. We gave him all
artistic freedom to do his work drum-wise, if you listen closely to his drum
delivery on the album there are so many different techniques and styles of
drumming in there, it's very complex, we spent over 1 year on studios only to
try to get the best sound for his drums. We are very happy and satisfied with
the final result!
6) In 2009 the band was still in Germany, Why did you travel to Norway to
record your full length? Did it have anything to do with the "new" members in
the band?
Morbid: in 2009 the band moved to San
Diego, California, we were having intensive rehearsals because we were going to
hit the studio with Steve Tucker in Cincinnati, Ohio by Fall that year, at the
same time Hellhammer was recording his drums at the legendary Molla Studio in
Norway with Knut M. Valle, once he finished recording his tracks he sent them to
us, then we mixed it all up in several studios throughout the next 3 years in
America, it's a very ambitious album!
The other members of the band are all good friends of mine, I showed them
the album and they liked it enough to get involved in it, everyone did a really
amazing job and helped to shape the album to what it is today. It was a perfect
synergy.
7) So, let me get this straight....there is a song on your full length with
Attila as guest vocals? That is pretty intense. You must have been
thrilled to have all these great people supporting your music.
How did Attila doing a guest appearance come about and do you think it
helped push this album?
Morbid: Back then we were called Death of Desire and the album was going to
be called ANTIhuman, so I contacted Attila and invited him to guest sing on the
album. He did a track impersonating a Dark Dictator, the idea was for him to
give a 'speech' about being ANTI-human.. I told him we would like him to sound
like Hitler.. I remember some year later he was performing a show with his Void
of Voices project in Berlin and we had a discussion if he should play that track
there.. you know? sounding like Hitler.. in Germany.. I remember we were a bit
anxious about it haha! I never really knew what happened on that show? but I
guess it all went well because he's still alive and kickin'!
It was a big honor for us to work with such a legendary vocalist and it was
even more thrilling to have him scream my lyrics into a track.. He recorded a 5
minute track under his Void of Voices project while he was in Italy, then sent
to us. We distributed the track all over the album and used some samples on the
track Lux Fera (Bringer of Light). His work made the album complete, the album
needed that 'extra' element of darkness.
8) In 2010 you brought in Pzy-Clone to add that Symphonic sound with a
twist of darkness.
So, is it fair to say that the band has a bit of influence from Cradle of
Filth or Dimmu Borgir? Who are some other inspirations for your music?
Morbid: Working with Pzy-Clone was a great experience, his band Covenant
and later The Kovenant was a huge influence for me, so having the opportunity to
work with him was great, I've heard several people saying they can hear the
influence from his band in this album, naturally.
We are influenced Cradle of Filth and Dimmu Borgir many others, but I
don't really see any relation between Dynasty of Darkness and those bands you
mentioned at all, we are our own style and people haven't been able to 'label'
us into a genre. My other inspirations for music are LIFE itself.. Darkness is
all around us, it could be found anywhere.. on a dying tree, on a crying baby,
etc. We used to travel to obscure and dark places where there was paranormal
activity, we travelled all over the world and channeled those energies into our
music, we used to say we that 'played for the dead', that's why the album is so
dim and obscure. I remember one story when we were shooting a video documentary
at San Diego's El Coronado Hotel, we booked a room where a famous ghost lives at
-a suicide, room #3347 where 'The beautiful Stranger' killed herself, her name
is Lottie A. Bernard, after we finished shooting the interview the whole room
started shaking violently, apparently an Earthquake struck the hotel, but I
believe it was something else.. sadly we had turned the cameras off and were too
petrified to do anything.. I kid you not.
I am also influenced by human emotion being hate and anger. I also listen
to a lot of classical music and ambient stuff.. Lustmord is one of my favorite
bands, but Black Metal is my ground foundation, of corpse.
9) This full length album was produced by you....How did that go? Do you
have much experience in that field and will you be the producer in all of
Dynasty of Darkness' future albums?
Morbid: I hope not!! it was a very hard job and I dreaded it from start to
finish! I travelled all over the world to make this happen, hired all musicians
and studios, engineers, co-producers, etc. I really didn't had too much
experience in this field, but with the way today's music business is about, we
as musicians are kind of forced to do such things, you know? labels today are
retracting too much in investing in new bands, the economy of the world is
fucked up and everyone is suffering from it, so I had no other choice but to do
this myself, DIY you know? like the good old punk rocker I am :).. The album
took over 3 years to record and around 6 studios, 3 in Europe, 2 in America and
1 in Mexico and it cost a shit ton of money too!! I will most definitely not
do this again and I am hoping to hop on a good label that will take care of this
shit on the near future, musicians shouldn't have to do this.. anyways.
10) You seemed to have gone through a lot of trouble with making this
album.
6 different studios??? 4 countries? Why??? Was there a purpose and reason
behind this madness? (Although I am sure ALL worth every second of your time)
Morbid: Yes you can call it a bit of that haha. Well yeah many people have
questioned me for having done what I did on this album, but like I said, I had
no other choice. The project kept growing and escalating into a more
uncontrollable monster, you know? it had a life of it's own, so I just kept
rolling in with the punches and kept doing what our Dark Lord commanded me to
haha! but more seriously, half of the musicians were in Europe, so we worked
together through the years, they did their part over there and I did mine here.
All orchestrations were recorded by Pzy-Clone at his home studio in Hamar,
Norway, Hellhammer recorded at the Molla Studio in Norway and Attila in Italy. I
recorded all guitars, bass and vocals on 3 different studios and did all mixes
and mastering in America and Mexico. The album was re-recorded 4 times until
perfection, that's why it took so many fucking years.. it was very tedious and
difficult to pull it through, this album almost killed me many times.. but at
the end I persevered and conquered.
11) I have listened to some of your music and to be honest I can't put a
finger on it....what genre to call it.....Seems others don't know either.
What do YOU call it?
Morbid: Touché. hehe.. well it is what it is, you know? some call it
Extreme Symphonic Black Metal.. some others call it just Extreme Metal.. for me
it is just Dynasty of Darkness. I don't really like labels that much and I think
genres just encases people and are good only for the music store shelves (if
there's still any music store left).. me as a musician don't like to have any
restrictions.. that's why you hear all kinds of different elements on the album,
from Doom, Black, Trash, Death, Symphonic.. even industrial.. music should be
free! call it what you want.. I call it Spectral Metal.
12) With so many different sounds and styles steaming from your music.
It would appear to me that your range of musical likes is wide.
What are some of your favorite bands?
Morbid: I could go on forever with this. I like so many bands, perhaps too
many. I just like shit that is dark, you know? it doesn't matter which genre it
is.. there are even some pop songs that are pretty dark.. like that song uh..
what was the name?
What throws people the most is when I tell them that Grunge played a big
influence in making this album. I am a 90s child, I grew up when Grunge and New
Metal was in it's prime, I get influences from everything, not just only the
classic 80s Quorthon-esque, Venom or BM era. I think Kurt Cobain was an
outstanding guitar player when it came down to melodies and the structuring of
guitar riffing, if you hear my guitar playing it's a bizarre combination of dark
and eerie black metal riffing and grunge/punk chords, THAT'S my darkest secret..
or was :).
13) I can't say I have ever heard anything like Dynasty of Darkness.
What is the sole purpose behind your music, what do you hope to accomplish?
Morbid: I wanted to make a really metal album you know? living in America
for years I was just right in the middle of the metal 'scene' there and to be
honest.. it is despicable to see what metal has become. Nowadays metal-core has
come to take over the scene, most labels are just signing this kind of bands
leaving good metal bands behind, I contacted several well known so called metal
record labels and some even told me they only sign -core bands nowadays, total
bullshit! My plan is to bring 'real' metal back. I had enough of the
user-friendly generic plastic hot topic metal bands.. I really don't get it
either? if Hardcore and Metal are two different genres who was the idiot behind
mixing them up? I remember when I started playing metal a decade or some ago,
there was a big division between the two genres, I even participated in shows
and fests where the theme was Hardcore VS. Metal actually.. and things were just
fine that way. Now, today, it's all a cluster fuck. I want to set the record
straight again with this album, Metal is still alive, specially Black Metal. I
hear a lot of how much Black Metal is dying blablabla.. well guess what? I have
at least 5 more albums ahead of me and I wont stop on my quest. What I want to
accomplish is to set new standards in metal, I think there are several other few
bands out there that are doing it too, bands like Septic Flesh and Fleshgod
Apocalypse seems to have it right. I think it's time for a change, this is a
brand new decade and there's open ground for new shit to come take over.
14) Well it has come to the end of this interview and it has been quite a
learning experience for me.
I wish your band all the luck in the world.
Any final words about what the future holds for Dynasty of Darkness?
Morbid: Keep tuned because the best is yet to come! \m/
You can find Dynasty of Darkness on Facebook
https://www.facebook.com/DynastyOfDarkness?fref=ts
You can hear a 4 track sampler from their full length album here
www.dynastyofdarkness.com
Morbid: Hi there! thank you, it's an honor.
2) So, I am for the first time hearing Dynasty of Darkness.
I have enjoyed what I have heard thus far.
Since you are still fairly "new" band, how has the response been so
far?
Morbid: The band was created in 2008 so we are really not that new, this is
our first album because we had some legal complications with the ex-singer, she
really fucked us up big time and put the album and band progress into a stall
for over 2 years.. so, therefore we had to go 'underground' and work secretly so
she would not come chase us up with legal shit.. you know.. she's a loser, the
nature of weakness - ANTIhuman.
Response has been great! so far I've never heard a bad critic on the music
and generally people are very excited and eager to get a hold of this album,
it's been awesome. It's a really cool an 'true' album, any detractive and
detrimental comment will just place that person in the category of stupid.
3) So this band began in 2008 in Germany...
What caught my attention first was the place your recorded and filmed video
from your first demo... An abandoned Military Complex..? Wow, very cool.
Tell me about this experience and how it added to the intensity behind this
demo and where the idea came from...
Morbid: It was a pretty cool experience! I was doing some studies in
Germany and the university (IU) was located in this small town called Bruchsal.
The school was really just 2 big military buildings re-built into
classrooms, they used to be the 'Bundesnachrichtendienst
Zentrale' or the Secret
Service for the Nazis and stuff. The 4th, 5th and 6th
floor were totally untouched and original from that era. The attic was the most
eerie and obscure place I've ever been aside from the Catacombs of Paris, there
were this big heavy Bulletproof doors with machine gun dents you had to open and
cross over, I assume the Allies ended up breaking into the place and shooting
inside, the attic had this barbwire cells on the top part which gave you the
idea that this was a prison for the Jews or prisoners of war back then... a very
fucking obscure place. Once you walked through them there was this long dark
dusty corridor with at least 10 rooms on each side, we had to walk all the way
through it in darkness holding a candle until we reached the last room on the
left which was the only one with electricity.. some students from the past
painted the only light in there red so it was a very grim looking place..
everything else was complete darkness and abandoned dusty rooms. The energy and
atmosphere of that place was just perfect for starting a black metal band! so we
did.. there were some paranormal activity in there as well.. we used to go there
every night at midnight and drink wine, rehearse and jam there until
sunrise.. we composed and recorded half of the album in there, tracks like The
Scribe of the Gods, Empire of Pain and Lux Fera were bred in the womb of that
darkened place, we also shot promotional photos, video and recorded some demos
in there, the vibe we manage to capture on all media was fucking grim and very
dark. I tried using computer software and many different guitar pedals
afterwards to try to replicate the eerie sound of my guitars that I got being on
that place but it was just impossible.. it took me years to try to match the
grimness of the sound from that place. We were used to be called Death of Desire
back then, I am sure if you dig deep enough you can find some of the old stuff
and demos, if not I will make public once again soon.
4) Something else that impressed me was just a year after the start of the
band Jan Axel Blomberg A.K.A Hellhammer became Dynasty of Darkness' official
Session drummer. He is an amazing drummer!
How did it feel to get such a known and incredible drummer to back you guys
up?
Morbid: it was pretty natural for the band to get such a good drummer. When
I started writing the material I always had him in mind to record for us, we
tried many many different drummers before him and they just didn't had what it
took to do this, it was frustrating at the start but I kept pushing until I
managed to get Hellhammer on board, then everything just fell into place almost
like magic. It was a great experience to get to work with him, he's a very
professional musician and a great friend... keep tuned because the best is yet
to come ;)
5) Jan debuted on your first full length album "Empire of Pain"
Was he everything you had hoped for and did he write the music for all the
drums he played for the songs or was it all pre written?
Morbid: it was exactly what I had in mind for this album. When I composed
'Empire of Pain' I wanted to make a cross-over between Wolf Liar Abyss and Grand
Declaration of War mixed up with some epic orchestrations.. something
very excruciating but majestic at the same time, it was a very
ambitious album! so we were honored to be able to work with him and his
involvement on the album just made this very possible for us. We gave him all
artistic freedom to do his work drum-wise, if you listen closely to his drum
delivery on the album there are so many different techniques and styles of
drumming in there, it's very complex, we spent over 1 year on studios only to
try to get the best sound for his drums. We are very happy and satisfied with
the final result!
6) In 2009 the band was still in Germany, Why did you travel to Norway to
record your full length? Did it have anything to do with the "new" members in
the band?
Morbid: in 2009 the band moved to San
Diego, California, we were having intensive rehearsals because we were going to
hit the studio with Steve Tucker in Cincinnati, Ohio by Fall that year, at the
same time Hellhammer was recording his drums at the legendary Molla Studio in
Norway with Knut M. Valle, once he finished recording his tracks he sent them to
us, then we mixed it all up in several studios throughout the next 3 years in
America, it's a very ambitious album!
The other members of the band are all good friends of mine, I showed them
the album and they liked it enough to get involved in it, everyone did a really
amazing job and helped to shape the album to what it is today. It was a perfect
synergy.
7) So, let me get this straight....there is a song on your full length with
Attila as guest vocals? That is pretty intense. You must have been
thrilled to have all these great people supporting your music.
How did Attila doing a guest appearance come about and do you think it
helped push this album?
Morbid: Back then we were called Death of Desire and the album was going to
be called ANTIhuman, so I contacted Attila and invited him to guest sing on the
album. He did a track impersonating a Dark Dictator, the idea was for him to
give a 'speech' about being ANTI-human.. I told him we would like him to sound
like Hitler.. I remember some year later he was performing a show with his Void
of Voices project in Berlin and we had a discussion if he should play that track
there.. you know? sounding like Hitler.. in Germany.. I remember we were a bit
anxious about it haha! I never really knew what happened on that show? but I
guess it all went well because he's still alive and kickin'!
It was a big honor for us to work with such a legendary vocalist and it was
even more thrilling to have him scream my lyrics into a track.. He recorded a 5
minute track under his Void of Voices project while he was in Italy, then sent
to us. We distributed the track all over the album and used some samples on the
track Lux Fera (Bringer of Light). His work made the album complete, the album
needed that 'extra' element of darkness.
8) In 2010 you brought in Pzy-Clone to add that Symphonic sound with a
twist of darkness.
So, is it fair to say that the band has a bit of influence from Cradle of
Filth or Dimmu Borgir? Who are some other inspirations for your music?
Morbid: Working with Pzy-Clone was a great experience, his band Covenant
and later The Kovenant was a huge influence for me, so having the opportunity to
work with him was great, I've heard several people saying they can hear the
influence from his band in this album, naturally.
We are influenced Cradle of Filth and Dimmu Borgir many others, but I
don't really see any relation between Dynasty of Darkness and those bands you
mentioned at all, we are our own style and people haven't been able to 'label'
us into a genre. My other inspirations for music are LIFE itself.. Darkness is
all around us, it could be found anywhere.. on a dying tree, on a crying baby,
etc. We used to travel to obscure and dark places where there was paranormal
activity, we travelled all over the world and channeled those energies into our
music, we used to say we that 'played for the dead', that's why the album is so
dim and obscure. I remember one story when we were shooting a video documentary
at San Diego's El Coronado Hotel, we booked a room where a famous ghost lives at
-a suicide, room #3347 where 'The beautiful Stranger' killed herself, her name
is Lottie A. Bernard, after we finished shooting the interview the whole room
started shaking violently, apparently an Earthquake struck the hotel, but I
believe it was something else.. sadly we had turned the cameras off and were too
petrified to do anything.. I kid you not.
I am also influenced by human emotion being hate and anger. I also listen
to a lot of classical music and ambient stuff.. Lustmord is one of my favorite
bands, but Black Metal is my ground foundation, of corpse.
9) This full length album was produced by you....How did that go? Do you
have much experience in that field and will you be the producer in all of
Dynasty of Darkness' future albums?
Morbid: I hope not!! it was a very hard job and I dreaded it from start to
finish! I travelled all over the world to make this happen, hired all musicians
and studios, engineers, co-producers, etc. I really didn't had too much
experience in this field, but with the way today's music business is about, we
as musicians are kind of forced to do such things, you know? labels today are
retracting too much in investing in new bands, the economy of the world is
fucked up and everyone is suffering from it, so I had no other choice but to do
this myself, DIY you know? like the good old punk rocker I am :).. The album
took over 3 years to record and around 6 studios, 3 in Europe, 2 in America and
1 in Mexico and it cost a shit ton of money too!! I will most definitely not
do this again and I am hoping to hop on a good label that will take care of this
shit on the near future, musicians shouldn't have to do this.. anyways.
10) You seemed to have gone through a lot of trouble with making this
album.
6 different studios??? 4 countries? Why??? Was there a purpose and reason
behind this madness? (Although I am sure ALL worth every second of your time)
Morbid: Yes you can call it a bit of that haha. Well yeah many people have
questioned me for having done what I did on this album, but like I said, I had
no other choice. The project kept growing and escalating into a more
uncontrollable monster, you know? it had a life of it's own, so I just kept
rolling in with the punches and kept doing what our Dark Lord commanded me to
haha! but more seriously, half of the musicians were in Europe, so we worked
together through the years, they did their part over there and I did mine here.
All orchestrations were recorded by Pzy-Clone at his home studio in Hamar,
Norway, Hellhammer recorded at the Molla Studio in Norway and Attila in Italy. I
recorded all guitars, bass and vocals on 3 different studios and did all mixes
and mastering in America and Mexico. The album was re-recorded 4 times until
perfection, that's why it took so many fucking years.. it was very tedious and
difficult to pull it through, this album almost killed me many times.. but at
the end I persevered and conquered.
11) I have listened to some of your music and to be honest I can't put a
finger on it....what genre to call it.....Seems others don't know either.
What do YOU call it?
Morbid: Touché. hehe.. well it is what it is, you know? some call it
Extreme Symphonic Black Metal.. some others call it just Extreme Metal.. for me
it is just Dynasty of Darkness. I don't really like labels that much and I think
genres just encases people and are good only for the music store shelves (if
there's still any music store left).. me as a musician don't like to have any
restrictions.. that's why you hear all kinds of different elements on the album,
from Doom, Black, Trash, Death, Symphonic.. even industrial.. music should be
free! call it what you want.. I call it Spectral Metal.
12) With so many different sounds and styles steaming from your music.
It would appear to me that your range of musical likes is wide.
What are some of your favorite bands?
Morbid: I could go on forever with this. I like so many bands, perhaps too
many. I just like shit that is dark, you know? it doesn't matter which genre it
is.. there are even some pop songs that are pretty dark.. like that song uh..
what was the name?
What throws people the most is when I tell them that Grunge played a big
influence in making this album. I am a 90s child, I grew up when Grunge and New
Metal was in it's prime, I get influences from everything, not just only the
classic 80s Quorthon-esque, Venom or BM era. I think Kurt Cobain was an
outstanding guitar player when it came down to melodies and the structuring of
guitar riffing, if you hear my guitar playing it's a bizarre combination of dark
and eerie black metal riffing and grunge/punk chords, THAT'S my darkest secret..
or was :).
13) I can't say I have ever heard anything like Dynasty of Darkness.
What is the sole purpose behind your music, what do you hope to accomplish?
Morbid: I wanted to make a really metal album you know? living in America
for years I was just right in the middle of the metal 'scene' there and to be
honest.. it is despicable to see what metal has become. Nowadays metal-core has
come to take over the scene, most labels are just signing this kind of bands
leaving good metal bands behind, I contacted several well known so called metal
record labels and some even told me they only sign -core bands nowadays, total
bullshit! My plan is to bring 'real' metal back. I had enough of the
user-friendly generic plastic hot topic metal bands.. I really don't get it
either? if Hardcore and Metal are two different genres who was the idiot behind
mixing them up? I remember when I started playing metal a decade or some ago,
there was a big division between the two genres, I even participated in shows
and fests where the theme was Hardcore VS. Metal actually.. and things were just
fine that way. Now, today, it's all a cluster fuck. I want to set the record
straight again with this album, Metal is still alive, specially Black Metal. I
hear a lot of how much Black Metal is dying blablabla.. well guess what? I have
at least 5 more albums ahead of me and I wont stop on my quest. What I want to
accomplish is to set new standards in metal, I think there are several other few
bands out there that are doing it too, bands like Septic Flesh and Fleshgod
Apocalypse seems to have it right. I think it's time for a change, this is a
brand new decade and there's open ground for new shit to come take over.
14) Well it has come to the end of this interview and it has been quite a
learning experience for me.
I wish your band all the luck in the world.
Any final words about what the future holds for Dynasty of Darkness?
Morbid: Keep tuned because the best is yet to come! \m/
You can find Dynasty of Darkness on Facebook
https://www.facebook.com/DynastyOfDarkness?fref=ts
You can hear a 4 track sampler from their full length album here
www.dynastyofdarkness.com